Allegory of Hope
Bud's Big BlueBud's Observations
The obvious
choice, hope allegories appear on all COGH stamps issued before 1901, except
one with a view of Table Mountain (page 1, row 4, last stamp, or see Page 1c). A sometimes
dangerous spirit, hope reveals possibilities, focuses matters of importance, sparks
energy, and spurs determined behavior -- all of which mobilized 15th
century European sailors who rounded the Cape as well as 20th
century anti-apartheid protesters. Avid stamp collectors hope, too, sometimes foolishly.
There are
two COGH designs for Hope. Much is written about the first -- the triangles beginning
in 1853 and their many forgeries. I’ll mention only that the blue 4d in the
upper right corner of page 1 (or page 1a) does not have a printing anomaly in its lower left
corner L. It’s an amateurish repair that I
didn’t see until I looked at the scans close up.
For the
second design, Hope modestly covers her left breast and shifts position on the anchor.
Still seated, she rests against two triangles reminiscent of COGH’s first
stamps. A sheep joins her, a common attribute in hope allegories, and a grape
vine has sprouted. Cape viticulture originated in the 17th century; spice-trade
sailors used white wine for scurvy prophylaxis and, no doubt, other purposes.
Then, in the 1896-02 series, Hope stands up as if going somewhere with her new
hairdo. She bids farewell in front of Table Mountain; both grapevine and sheep have
already departed. After 1902, she’s gone. In the following Edwardian series,
“hope” is just a word.
Interesting
cancels abound, not only from Cape Town and Port Elizabeth, but also small
settlements such as Barkly East. A predominantly Xhosa settlement near Basutoland,
it’s in a mountainous sheep farming and trout fishing region. (See periodical
wrapper, supplement page 1). Boer War covers are sought after; one of mine is
franked with a Natal stamp.
Census: 30
in BB spaces, eleven tip-ins, 17 on supplement pages.
Jim's Observations
There are two cautionary tales I will mention here in placing the Colony's stamps in Big Blue's Album.
Be aware that the A13 design Scott 57 2 1/2 ultramarine is placed in the 1896-98 "Hope" Seated row with all the differently A6 designed stamps. (See Page 1b.) Big Blue gives no indication that one should do that.
The second cautionary tale is from personal experience. I was ready to put - what looked like to me a nice Scott 45 chocolate brown 2p - in the 1896-98 "Hope" Seated row. I noticed it should have a watermark 16- an "anchor" (which by the way is quite easy to see with the Cape stamps usually-just turn the stamp over on a dark background). Image my surprise when it was watermark 2 - the Crown and C A. So this stamp is a 1882 Scott 35 2p "bister"! Probably a 35a color variation- "deep bister". I've lost some confidence in my ability to categorize by color. So even though Big Blue does not require- or even encourage-watermarking; it's a very good idea!
Cape of Good Hope Blog Post and Checklist
Page 1 (Click and enlarge for examination.)
1a
1b
1c
1d
Supplements
Page 1
Page 2
Have a comment?
I have to say that I realy enjoy the writing style of Bud's little essays!
ReplyDeleteThanks, Dave, for your encouragement. Some of my comments are better than others. Consistency, said Emerson, is the hobgoblin of little minds. I wish, though, that what I write might be consistently worthy of your applause. It isn't, though.
ReplyDeleteEmerson went on to say that foolish consistency is adored by philosophers and divines. Ouch. I take that personally.
Come on chaps! Hope never left the Cape. In the 1900 Table Mountain issue she is still present way above the mountain atop the crest. Hope goes to heaven one might say and keeps an eye on our doings.😄
ReplyDeleteIndeed! ;-)
ReplyDelete